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The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. [7] The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. [8]
Turning the peg or pin tightens or loosens the string. Some tuning pegs and pins are tapered, some threaded. Some tuning pegs are ornamented with shell, metal, or plastic inlays, beads (pips) or rings. Other tuning systems include screw-and-lever tuners, geared tuners, and the konso friction tuning system (using braided leather rings).
A machine head (also referred to as a tuning machine, tuner, or gear head) is a geared apparatus for tuning stringed musical instruments by adjusting string tension. Machine heads are used on mandolins, guitars, double basses and others, and are usually located on the instrument's headstock .
A goblet drum with a body made of clay. It is similar to the tonbak and used in Afghanistan. The skin has a black spot called siyahi, made of tuning paste. Drum influenced by India with technique that draws on Persian Tonbak and Indian tabla and darbuka. Zu-jalal A kind of frame drum with bells. zorkhaneh beat ضرب زورخانه
The names of parts of the komuz are often allusions to body parts, particularly of horses. For example, the neck is called "neck", the tuning pegs are called , or "ear"s. The Kyrgyz word кыл/qyl means "string of an instrument" or "horse's hair". The ancient komuz generally had two or three strings.
The classical kemenche (Turkish: Klasik kemençe), Armudî kemençe ('pear-shaped kemenche') or Politiki lyra (Greek: πολίτικη λύρα, 'Constantinopolitan lyre') is a pear-shaped bowed instrument that derived from the medieval Greek Byzantine lyre.