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"4, 3, 2, 1" is a song by Queens rapper LL Cool J featuring Method Man, Redman, Canibus and DMX from LL Cool J's seventh album Phenomenon as the second single. It was released on December 9, 1997, for Def Jam Recordings and was produced by Erick Sermon .
The song has had two music videos. The first was directed by Hank Friedmann and aired on January 4, 2010. [8] A second, issued on April 8, 2010, under the direction of Mark Klasfeld, includes a guest appearance from actress Jaime Pressly. [3] The first music video is about a man who gets revenge on his ex-lover over a voodoo web site.
The magazine further wrote that the chorus "prominently" contains the lyrics "and so we pray". [5] Variety and NME stated the song's rumored title as "Supernova" [6] while Vulture speculated it was titled "We Pray". [7] The collaboration was confirmed to be a track from the band's upcoming tenth studio album Moon Music (2024). [6]
The Dark is the second full-length album released by American heavy metal band Metal Church, released on October 6, 1986.This was the last album featuring the group's "classic" lineup of David Wayne, Kurdt Vanderhoof, Kirk Arrington, Duke Erickson, and Craig Wells, until Masterpeace (1999), which reunited the four-fifths of that lineup, with John Marshall replacing Wells.
The song was sung regularly by Bruce Springsteen as a show closer on the Born to Run tours and the Darkness Tour [5] appearing on the Hammersmith Odeon London '75 concert document and, as performed in 1979, the No Nukes film. Clarence Clemons performed the song with Ringo Starr & His All-Starr Band in 1989. His recording of the song appears on ...
Count Three & Pray is the fourth studio album by American new wave band Berlin, released on October 13, 1986, by Geffen Records.The album spawned three singles, including "Take My Breath Away", which was featured in the film Top Gun.
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Arthur Prysock Jr. (January 1, 1924 [1] [2] or 1929 [3] [4] – June 21, 1997) [5] was an American jazz and R&B singer best known for his live shows and his deep baritone, influenced by Billy Eckstine. [6] According to his obituary in The New York Times, "his heavy, deep voice projected a calm, reassuring virility." [7]