Search results
Results From The WOW.Com Content Network
This 1996 map of the Pioneer Square-Skid Road Historic District shows the location of the Kingdome (at the lower right in the map). The Kingdome (officially the King County Stadium) [4] [note 1] was a multi-purpose stadium located in the Industrial District (later SoDo) [7] neighborhood of Seattle, Washington, United States.
KBKS's playlist consisted of a wide range of rhythmic hits targeting adults 25–54 years old, including Motown, gold hits from the 1960s through the 1980s, re-currents, and current-day hits from artists like Celine Dion, Toni Braxton, Mariah Carey, Janet Jackson, and Boyz II Men. The station primarily competed against KUBE, KLSY, and KPLZ-FM. [14]
McMichael (at right, in 2006) Edward Scott McMichael (March 15, 1955 – November 3, 2008), [1] also known as the Tuba Man, was an American tubist who became well known in Seattle for street performing outside the city's various sports and performing arts venues during the 1990s and 2000s. [2]
Pages in category "Musical groups from Seattle" The following 200 pages are in this category, out of approximately 310 total. This list may not reflect recent changes .
On August 4, 2012, "104.5 KMCQ" re-positioned as "Q104.5, Seattle's Classic Hits." The music also underwent significant changes, with the station focusing more on classic hits from the mid-1960s through the mid-1980s, with a more streamlined playlist focused on pop and rock from the 1970s.
David Eugene Lewis (1938 – March 13, 1998) was an American rock and rhythm & blues (R&B) keyboardist, organist, and vocalist based in Seattle, Washington, US. Peter Blecha accounts his Dave Lewis Combo as "Seattle's first significant African American 1950s rock and roll band" [2] and Lewis himself as "the singularly most significant figure on the Pacific Northwest's nascent rhythm & blues ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
X-15's rise to success began in 1980. Because of their unique sounding, original songs - dubbed "melodic punk" by rock critic Daina Darzin of Desperate Times and the New York Rocker - the band quickly became a sought-after alternative to cover bands by booking agents, club promoters and college entertainment directors throughout the Pacific Northwest and in Canada.