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The lord–bondsman dialectic (sometimes translated master–slave dialectic) is a famous passage in Georg Wilhelm Friedrich Hegel's The Phenomenology of Spirit.It is widely considered a key element in Hegel's philosophical system, and it has heavily influenced many subsequent philosophers.
While Butler ultimately calls for a rejection of standard Hegelianism, this moving forward itself represents a triumph for Hegel's dialectical method of the negation of difference. [1] Influenced by psychoanalysis, Butler sees the subject as having to lose identity before becoming itself. The sense of self is lost in desire, as desire is a pull ...
[23] [24] Hegel was influenced by Johann Gottlieb Fichte's conception of synthesis, although Hegel didn't adopt Fichte's thesis–antithesis–synthesis language except to describe Kant's philosophy: rather, Hegel argued that such language was "a lifeless schema" imposed on various contents, whereas he saw his own dialectic as flowing out of ...
According to Beiser, "if Hegel has any methodology at all, it appears to be an anti-methodology, a method to suspend all methods." Hegel's term "dialectic" must be understood with reference to the concept of the object of investigation. What must be grasped is "the 'self-organization' of the subject matter, its 'inner necessity' and 'inherent ...
Hegel's logic is a system of dialectics, i.e., a dialectical metaphysics: it is a development of the principle that thought and being constitute a single and active unity. Science of Logic also incorporates the traditional Aristotelian syllogism : it is conceived as a phase of the "original unity of thought and being" rather than as a detached ...
Hegel's claims about the "Absolute" and "Spirit" are interpreted in a vein that is more epistemological than ontological. Much of Hegel's project, in Pippin's reading, is a continuation rather than a reversal of the Kantian critique of dogmatic metaphysics. Hegel is not doing ontological logic, but is doing logic as metaphysics, which is a ...
The tension between these senses suits what Hegel is trying to talk about. In sublation, a term or concept is both preserved and changed through its dialectical interplay with another term or concept. Sublation is the motor by which the dialectic functions. Sublation can be seen at work at the most basic level of Hegel's system of logic.
Georg Wilhelm Friedrich Hegel delivering a lecture at the Berlin University in 1828 (sketch after nature and lithograph by Franz Kugler). Lydia Moland [4] states that understanding Hegel's theory of aesthetics presents a significant challenge with Hegel scholarship due to the nature of the surviving materials on Aesthetics. [4]