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Black Gold (1957) – about the horse Black Gold; Muley-Ears, Nobody's Dog (1959) All About Horses, with drawings by Wesley Dennis and photos (1962) Five O'Clock Charlie (1962) Stormy, Misty's Foal (1963) Portfolio of Horse Paintings, with commentary by Henry (1964) – "Published in 1952 under title: Portfolio of horses." LCCN 64-22279
Black and coloured chalks, white bodycolour, black and brown wash, pen and ink, and brush and ink on pale pink prepared paper. 27.8 × 19.4 cm: The identity of the sitter is unknown. [192] An unidentified woman [193] c. 1532 – c. 1543: Black and coloured chalks, and pen and ink on pale pink prepared paper. 28.8 × 22.8 cm
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Rice is included in the book Artists in California 1786-1940 (1986) by Edan Milton Hughes. [5] His daughter, Roberta Rice Treseder, published a book in 2009, William S. Rice: California Block Prints which is a biography and includes images of his printmaking as well as woodblock printing methods and materials. [8]
Brian Rice (born 1936) [1] is a British abstract artist associated with the pop art movement who has had 35 solo exhibitions and around 200 group exhibitions. [2] Rice studied at Yeovil School of Art where he learned about printmaking and for a year Goldsmiths College. He was very active in London during the 1960s where he produced non ...
Tsutsugaki (筒描) is a Japanese technique of resist dyeing that involves drawing rice-paste designs on cloth, dyeing the cloth, and then washing off the paste. [ 1 ] The rice paste is typically made from sweet rice, which has a high starch content and is therefore rather sticky.