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Digital Sound Factory is a sound design company that creates sound libraries, known as SoundFont libraries, for playback on synthesizers and computers compatible with Steinberg Cubase, Cakewalk Sonar, Reasonstudios, Steinberg Halion, Native Instruments Kontakt, Apple GarageBand, Apple Logic, Ableton Live, GenieSoft Overture, Finale, Creative Labs Audigy/X-Fi, E-MU Systems EmulatorX/Proteus X ...
H. Hamilton (album) Hardball (soundtrack) The Harder They Fall (soundtrack) The Hate U Give (soundtrack) Hav Plenty (soundtrack) He Got Game (soundtrack)
Digital Underground is an American alternative hip hop group from Oakland, California. Its lineup grows with each album and tour. Its lineup grows with each album and tour. Digital Underground's leader and mainstay was Gregory " Shock G " Jacobs (also known as Humpty Hump).
Hip-hop or hip hop (formerly known as disco rap) [7] [8] is a genre of popular music that emerged in the early 1970s in New York City. The genre is characterized by stylized rhythmic sounds—often built around disco grooves, electronic drum beats, and rapping, a percussive vocal delivery of rhymed poetic speech as consciousness-raising ...
The Roland JV-1080 (a.k.a. Super JV, Super JV-1080, or simply 1080) is a sample-based synthesizer/sound module in the form of a 2U rack. The JV-1080's synthesizer engine was also used in Roland's XP-50 workstation (1995).
Memphis artists released recordings on independent labels. The dominance of New York and Los Angeles's hip hop scenes forced southern artists to form an underground style and sound to compete with the other regions. Artists used a grassroots approach through word-of-mouth in the club scene and mixtapes to promote their music. [8]
The weight of being a Hollywood star can take a toll on a person’s weight.In an industry obsessed with physical appearance, a few extra pounds on the hip or a suddenly pronounced jawline ...
The sound is used in pop, hip hop, jazz fusion, techno, and video game genres to accentuate passages of music. [3] The orchestra hit has been identified as a "hip hop cliché". [4] In 1990, Musician magazine stated that Fairlight's ORCH5 sample was "the orchestral hit that was heard on every rap and techno-pop record of the early 1980s". [5]