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Knocknagoshel, officially Knocknagashel (Irish: Cnoc na gCaiseal, meaning 'hill of the stone ringforts'), [1] [2] is a village in County Kerry, Ireland. It is around 15 km south east of Listowel . According to the 2011 census, the population of the Knocknagashel Electoral Division (which includes the village and approximately 40 km 2 of the ...
Specifically, to count as a legitimate view, a user must intentionally initiate the playback of the video and play at least 30 seconds of the video (or the entire video for shorter videos). Additionally, while replays count as views, there is a limit of 4 or 5 views per IP address during a 24-hour period, after which point, no further views ...
The Africans: A Triple Heritage is a documentary history, written and narrated by Dr. Ali Mazrui in the early 1980s and jointly produced by the BBC and the Public Broadcasting Service (WETA, Washington) in association with the Nigerian Television Authority. A book by the same title was jointly published by BBC Publications and Little, Brown and ...
Cinema in Cambodia began in the 1950s, and many films were being screened in theaters throughout the country by the 1960s, which are regarded as the "golden age". After a near-disappearance during the Khmer Rouge regime, competition from video and television has meant that the Cambodian film industry is a small one.
Jonathan McIntosh is an American producer, writer, artist, feminist, and cultural critic. He is the creator of the Pop Culture Detective Agency video series examining intersections of politics, masculinity, and entertainment. [1] He was also a producer and co-writer on the Tropes vs. Women in Video Games YouTube video series. [2]
The film features the characters from Satyajit Ray's Aranyer Din Ratri, returning to the forest over thirty years later.Asim, Sanjoy, Harinath and Aparna have grown old in this film; Shekhar has died.
This is a filmography for films and artistry on the graphic, theatrical and conventional, documental portrayal of the Rwandan genocide against the Tutsis in 1994. In 2005 Alison Des Forges wrote that eleven years after the genocide films for popular audiences on the subject greatly increased "widespread realization of the horror that had taken the lives of more than half a million Tutsi".
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