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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
"I'm Never Giving Up", written and composed by Ron Roker, Jan Pulsford, and Phil Wigger, was the United Kingdom's entry at the Eurovision Song Contest 1983, performed by the trio Sweet Dreams. Sweet Dreams won the right to perform at Munich by winning the UK national final, A Song for Europe, where they were
The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the tonic or I chord; following the circle of fifths , the most suitable chord to precede the I chord is a V chord.
Martin reverted the title back to "If I Thought You'd Ever Change Your Mind" after requesting sheet music for the song by Cameron's publisher. [14] Nonetheless, Martin felt that the baroque style would fit Black's voice and he booked a session with her at EMI Studios in London on 28 September 1969; it was the first time in over half a year that ...
The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed their name to the Chordcats. [3] Their success was a one-off as subsequent releases, including "Zippity-Zum", all failed to chart. [3]
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In their book Bob Dylan All the Songs: The Story Behind Every Track, authors Philippe Margotin and Jean-Michel Guesdon call the song "the gem of the album", noting that the "rhythm is irresistible, and the combination of acoustic guitar (Dylan), drums, and bass works magnificently".
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...