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The Petrarchan sonnet, also known as the Italian sonnet, is a sonnet named after the Italian poet Francesco Petrarca, [1] although it was not developed by Petrarch himself, but rather by a string of Renaissance poets. [2]
Petrarch's Sonnet 9 of Canzoniere familiarizes this metaphor and foreshadows its re-emergence in Shakespeare's Sonnets 1–17 of The Sonnets. The principal structuring tool in both the English and Italian sequences is the defined division into two parts.
Though the majority of Petrarch's output was in Latin, the Canzoniere was written in the vernacular, a language of trade, despite Petrarch's view that Italian was less adequate for expression. [1] Of its 366 poems, the vast majority are in sonnet form (317), though the sequence contains a number of canzoni (29), sestine (9), madrigals (4), and ...
Santa Maria della Pieve in Arezzo La Casa del Petrarca (birthplace) at Vicolo dell'Orto, 28 in Arezzo. Francis Petrarch (/ ˈ p ɛ t r ɑːr k, ˈ p iː t-/; 20 July 1304 – 19 July 1374; Latin: Franciscus Petrarcha; modern Italian: Francesco Petrarca [franˈtʃesko peˈtrarka]), born Francesco di Petracco, was a scholar from Arezzo and poet of the early Italian Renaissance and one of the ...
A sonnet sequence or sonnet cycle is a group of sonnets thematically unified to create a long work, although generally, unlike the stanza, each sonnet so connected can also be read as a meaningful separate unit. The sonnet sequence was a very popular genre during the Renaissance, following the pattern of Petrarch. This article is about sonnet ...
Triumphs (Italian: I Trionfi) is a 14th-century Italian series of poems, written by Petrarch in the Tuscan language.The poem evokes the Roman ceremony of triumph, where victorious generals and their armies were led in procession by the captives and spoils they had taken in war.
Petrarch's sonnets, in 14th century Italy, complained that love both scorched and chilled. Mary Wroth, a contemporary of Shakespeare, agreed: love made her "burn and yet freeze: better in hell to be."
The first five sonnets of Petrarch's Il Canzoniere. Guittone d'Arezzo rediscovered the sonnet form and brought it to Tuscany, where he adapted it to Tuscan dialect when he founded the Siculo-Tuscan, or Guittonian school of poetry (1235–1294). He wrote almost 250 sonnets. [8]