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Arban's Complete Conservatory Method for Trumpet is a method book for students of trumpet, cornet, and other brass instruments.The original edition, Grande méthode complète de cornet à pistons et de saxhorn), was written and composed by Jean-Baptiste Arban (1825-1889) and published in Paris by Léon Escudier in 1864. [1]
Public domain Public domain false false The author died in 1889, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Initially intended as a 3-volume series of increasing difficulty, the middle volume titled Clarke's Technical Studies (1912) would gain a following independent of the other volumes, becoming "one of the most widely used trumpet method books" [1] and drawing comparisons to the Arban Method. [2]
Arban's cornet method book, first published in Paris in 1864, [4] is often referred to as the "Trumpeter's Bible". It is still studied by modern brass players. It is available by various publishers, with Carl Fischer and Alphonse Leduc being the most prominent. In 1982 Carl Fischer released a version that is annotated by Claude Gordon, noted ...
Robert Nagel (September 29, 1924 – June 5, 2016) was an American trumpet player, composer, and teacher. He was an early advocate for brass chamber music, especially the brass quintet . Nagel was the founder and director of the New York Brass Quintet, as well as a founding member of the International Trumpet Guild .
From c. 1878 until the 1940s the work was attributed to Henry Purcell, and was published as Trumpet Voluntary by Henry Purcell in William Spark's Short Pieces for the Organ, Book VII, No. 1 (London, Ashdown and Parry). This version came to the attention of Sir Henry J. Wood, who made two orchestral transcriptions of it, both of which were ...
Download as PDF; Printable version; In other projects ... Etudes & Duets Book I for trumpet; Method for Trumpet – Volumes 1–7; ... (new version 2001) for brass ...
The natural trumpets were not specified by the composer; indeed it may have been a bit early in the rediscovery of natural trumpet playing for it to be safe to do so. This technique had been used by the classical composers in horn section writing, to enable lines to be played outside the natural scale (e.g. 2 horns in C and 2 horns in D or E flat).