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Arban's Complete Conservatory Method for Trumpet is a method book for students of trumpet, cornet, and other brass instruments.The original edition, Grande méthode complète de cornet à pistons et de saxhorn), was written and composed by Jean-Baptiste Arban (1825-1889) and published in Paris by Léon Escudier in 1864. [1]
Public domain Public domain false false The author died in 1889, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Initially intended as a 3-volume series of increasing difficulty, the middle volume titled Clarke's Technical Studies (1912) would gain a following independent of the other volumes, becoming "one of the most widely used trumpet method books" [1] and drawing comparisons to the Arban Method. [2]
Robert Nagel (September 29, 1924 – June 5, 2016) was an American trumpet player, composer, and teacher. He was an early advocate for brass chamber music, especially the brass quintet . Nagel was the founder and director of the New York Brass Quintet, as well as a founding member of the International Trumpet Guild .
Arban's cornet method book, first published in Paris in 1864, [4] is often referred to as the "Trumpeter's Bible". It is still studied by modern brass players. It is available by various publishers, with Carl Fischer and Alphonse Leduc being the most prominent. In 1982 Carl Fischer released a version that is annotated by Claude Gordon, noted ...
A version of the riff was published in 1845 by Franz Hünten as Melodie Arabe. [6] The melody was described as an "Arabian Song" in the La grande méthode complète de cornet à piston et de saxhorn par Arban, first published in 1864. [1] [7]
Vladislav Mikhailovitch Blazhevich [n 1], (3 August 1881 – 10 April 1942) was a Soviet-era Russian composer, conductor, trombonist, and pedagogue. [1] A highly skilled trombonist, euphonist and tubist, Blazhevich played in various orchestras and bands and was a professor of trombone at Moscow Conservatory. He is widely known for his multiple ...
The natural trumpets were not specified by the composer; indeed it may have been a bit early in the rediscovery of natural trumpet playing for it to be safe to do so. This technique had been used by the classical composers in horn section writing, to enable lines to be played outside the natural scale (e.g. 2 horns in C and 2 horns in D or E flat).