Search results
Results From The WOW.Com Content Network
In the Middle Ages, the Mummers Play was a traditional English folk play, based loosely on the Saint George and the Dragon legend, usually performed during Christmas gatherings, which contained the origin of many of the archetypal elements of the pantomime, such as stage fights, coarse humour and fantastic creatures, [15] gender role reversal, and good defeating evil. [16]
Jack and the Beanstalk pantomime showing in Cambridge, England. The story is often performed a traditional British Christmas pantomime, wherein the Giant has a henchman, traditionally named Fleshcreep, the pantomime villain, Jack's mother is the Dame, and Jack is the Principal boy. Fleshcreep is the enemy of a fairy who helps Jack in his quest ...
Mother Goose is a character that originated in children's fiction, as the imaginary author of a collection of French fairy tales and later of English nursery rhymes. [1] She also appeared in a song, the first stanza of which often functions now as a nursery rhyme. [2] The character also appears in a pantomime tracing its roots to 1806. [3]
Silent comics (or pantomime comics) are comics which are delivered in mime. They make use of little or no dialogue , speech balloons or captions written underneath the images. Instead, the stories or gags are told entirely through pictures.
The traditional Aladdin pantomime is the source of the well-known pantomime character Widow Twankey (Aladdin's mother). In pantomime versions, changes in the setting and story are often made to fit it better into "China" (albeit a China situated in the East End of London rather than medieval Baghdad ), and elements of other Arabian Nights tales ...
American pantomime, panto for short, refers to works of theatrical entertainment that have been presented in the United States of America since 1876. The works are derived from the entertainment genre of pantomime that developed in England, presented either as they are in Britain or adapted for the American stage and tailored to American audiences.
A star of the Greenock panto said "yes" when his boyfriend proposed to him on stage after his final bow.
A Trip to Coontown (1898) was the first musical comedy entirely produced and performed by African Americans in a Broadway theatre (largely inspired by the routines of the minstrel shows), followed by the ragtime-tinged Clorindy, or the Origin of the Cakewalk (1898), and the highly successful In Dahomey (1902).