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A modified version of MUSIC, denoted as Time-Reversal MUSIC (TR-MUSIC) has been recently applied to computational time-reversal imaging. [ 11 ] [ 12 ] MUSIC algorithm has also been implemented for fast detection of the DTMF frequencies ( Dual-tone multi-frequency signaling ) in the form of C library - libmusic [ 13 ] (including for MATLAB ...
The term "agnosia" refers to a loss of knowledge. Acquired music agnosia is the "inability to recognize music in the absence of sensory, intellectual, verbal, and mnesic impairments". [11] Music agnosia is most commonly acquired; in most cases it is a result of bilateral infarction of the right temporal lobes.
Key areas of the brain are used in both music processing and language processing, such as Brocas area that is devoted to language production and comprehension. Patients with lesions, or damage, in the Brocas area often exhibit poor grammar, slow speech production and poor sentence comprehension.
Amusia is a musical disorder that appears mainly as a defect in processing pitch but also encompasses musical memory and recognition. [1] Two main classifications of amusia exist: acquired amusia, which occurs as a result of brain damage, and congenital amusia, which results from a music-processing anomaly present since birth.
The classical example of a source separation problem is the cocktail party problem, where a number of people are talking simultaneously in a room (for example, at a cocktail party), and a listener is trying to follow one of the discussions. The human brain can handle this sort of auditory source separation problem, but it is a difficult problem ...
Sheet music data refers to the human-readable, graphical representation of music via symbols. Examples of this branch of research would include digitizing scores ranging from 15th Century neumenal notation to contemporary Western music notation. Like sheet music data, symbolic data refers to musical notation in a digital format, but symbolic ...
Both have been used for musical purposes: as sound effects, raw material for further processing by other synthesis or digital signal processing effects, or as complete musical works in their own right. Conventional effects that can be achieved include amplitude modulation and time stretching. More experimentally, stereo or multichannel ...
The higher sample rates impose less restrictions on anti-aliasing filter implementation which can result in both lower complexity and less signal distortion. Work done in 1981 by Muraoka et al. [23] showed that music signals with frequency components above 20 kHz were only distinguished from those without by a few of the 176 test subjects. [24]