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Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing.
The French entertainer Félicien Trewey was interested in the art of Chinese shadow puppetry called Ombres Chinoises (known in china as the pi ying xi(皮影戏)), which means "Chinese shadows". He popularized the art of hand shadows when he developed shadows of famous silhouettes.
Rollins visited Cui and Wang's shadow figure museum in Beijing as well as seven provinces that had historically specialized in shadow puppetry. She took lessons in manipulating shadow puppets from the master of the Zhonghua Shadow Company along with many others. [1] While in Beijing, Rollins created and performed two shadow bike tours.
A nang drama player and puppet. Nang yai (Thai: หนังใหญ่, pronounced [nǎŋ jàj]) is a form of shadow play found in Thailand. Puppets are made of painted buffalo hide, while the story is narrated by songs, chants and music. [1] Nang means "leather" ("leather puppet" in this case), and in common usage refers to a dance-drama ...
While most shadow puppets cast black silhouettes from behind a screen, motekar shadow puppets can be in full color. They use plastic materials, transparent dyes, a special light system, and a special type of screen to make this happen. Motekar puppet shows can be performed by one or several puppeteers and usually feature music, singing, and a ...
Wayang shadow plays are usually tales from the two major Hindu epics, the Ramayana and Mahabharata. The puppet master contextualizes stories from the plays, making them relevant to current community, national, or global issues. Gamelan players respond to the direction of the dalang. Gallery of wayang kulit
The technique she used for the camera is similar to Wayang shadow puppets, though hers were animated frame by frame, not manipulated in live action. The original prints featured color tinting . Reiniger also used the first form of a multiplane camera in making the film, [ 5 ] one of the most important devices in pre digital animation.
The character Osono, from the play Hade Sugata Onna Maiginu (艶容女舞衣), in a performance by the Tonda Puppet Troupe of Nagahama, Shiga Prefecture. Bunraku (also known as Ningyō jōruri (人形浄瑠璃)) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. [1]