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Robert Johnson (c. 1583 – 1633) was an English composer and lutenist of the late Tudor and early Jacobean eras. He is sometimes called "Robert Johnson II" to distinguish him from an earlier Scottish composer. [citation needed] Johnson worked with William Shakespeare providing music for some of his later plays.
The Jacobean era was the period in English and Scottish history that coincides with the reign of James VI of Scotland who also inherited the crown of England in 1603 as James I. [1] The Jacobean era succeeds the Elizabethan era and precedes the Caroline era.
The Gypsies Metamorphosed, alternatively titled The Metamorphosed Gypsies, The Gypsies' Metamorphosis, or The Masque of Gypsies, was a Jacobean era masque written by Ben Jonson, with music composed by Nicholas Lanier. It was first performed on 3 August 1621, and was the biggest popular hit of Jonson's masquing career. [1]
Jacobean may refer to: An adjectival form of the name James; Jacobean era, the period of English and Scottish history that coincides with the reigns of King James VI and I Jacobean architecture; Jacobean English (the language used in the King James Version of the Bible) Jacobean furniture, see Elizabethan and Jacobean furniture; Jacobean literature
Jonson was a classically educated, well-read and cultured man of the English Renaissance with an appetite for controversy (personal and political, artistic and intellectual) whose cultural influence was of unparalleled breadth upon the playwrights and the poets of the Jacobean era (1603–1625) and of the Caroline era (1625–1642).
Early Modern English (sometimes abbreviated EModE [1] or EMnE) or Early New English (ENE) is the stage of the English language from the beginning of the Tudor period to the English Interregnum and Restoration, or from the transition from Middle English, in the late 15th century, to the transition to Modern English, in the mid-to-late 17th century.
Lovers Made Men, alternatively titled The Masque of Lethe or The Masque at Lord Hay's, was a Jacobean era masque, written by Ben Jonson, designed by Inigo Jones, and with music composed by Nicholas Lanier. It was performed on Saturday 22 February 1617, and was significant in the development and acceptance of opera in seventeenth-century England.
Technogamia was first staged on 13 February 1618 by the students of Christ Church, Oxford in Christ Church Hall. An academic play as opposed to the popular theatre of the time, Technogamia was a significant instance in the move away from the Latin language to English in academic drama – an evolution that was ongoing in its era, as marked by plays like Lingua, Albumazar, and Pathomachia.