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Artemisia Lomi or Artemisia Gentileschi (US: / ˌ dʒ ɛ n t i ˈ l ɛ s k i /; [1] [2] Italian: [arteˈmiːzja dʒentiˈleski]; 8 July 1593 – c. 1656) was an Italian Baroque painter. Gentileschi is considered among the most accomplished 17th-century artists, initially working in the style of Caravaggio .
Self-Portrait as the Allegory of Painting, also known as Autoritratto in veste di Pittura or simply La Pittura, was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures 98.6 by 75.2 centimetres (38.8 in × 29.6 in) and was probably produced during Gentileschi's stay in England between 1638 and 1639.
Artemisia Gentileschi was around twenty years of age when she painted Judith Slaying Holofernes. Previously, Gentileschi had also completed Susanna and the Elders and Madonna and Child. These artworks already give an indication of Gentileschi's skill in representing body movement and facial expressions to express emotions. X-rays undertaken on ...
Her life is pieced together in the Getty's 'Artemisia Gentileschi' biography — part of a series on women artists of the Renaissance and Baroque eras.
Artemisia Gentileschi’s painting skills quickly surpass her father’s, but society dictates that as a woman, she must stay home and protect her virtue. Author Elizabeth Fremantle deftly paints ...
3/5 Laura Knight and Artemisia Gentileschi feature among a vast array of little-known female artists in this expansive survey at Tate Britain, but some of the work on display only underlines the ...
They played an important role in funding the aristocratic development of artists and supported Gentileschi's entry into the male-dominated Accademia del Disegno. [8] Self-portrait as a Lute Player is believed to have been painted for a member of the Medici family in Florence, based on a 1638 inventory of Villa Medici in Artimino . [ 1 ]
It was painted during Gentileschi's time in Florence, [3] and is similar to her Saint Catherine of Alexandria (c. 1619), now in the Uffizi Gallery. It is one of several paintings of female martyrs that Gentileschi made after her famous 1612 rape trial, in which she (unlike the accused) was subject to torture to test the veracity of her ...