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Details Notes The Torment of Saint Anthony c. 1487 – 1488 [9] Oil and tempera on panel 47 cm × 35 cm (18 + 1 ⁄ 2 in × 13 + 3 ⁄ 4 in) Kimbell Art Museum, purchased from Sotheby's auction, Catalogue of Old Masters sale (Lot No. 69), 9 July 2008 by Adam Williams Fine Art, New York, as "Workshop of Domenico Ghirlandaio". Subsequently ...
Michelangelo was the first Western artist whose biography was published while he was alive. [3] Three biographies were published during his lifetime. One of them, by Giorgio Vasari, proposed that Michelangelo's work transcended that of any artist living or dead, and was "supreme in not one art alone but in all three". [7]
Michelagnolo Galilei (sometimes spelled Michelangelo; 18 December 1575 – 3 January 1631) was an Italian composer and lutenist of the late Renaissance and early Baroque eras, active mainly in Bavaria and Polish–Lithuanian Commonwealth.
The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). [1] The work was commissioned by Cardinal Francesco Maria del Monte, who had an avid interest in music. [2] It is one of Caravaggio’s more complex paintings, with four figures that were likely painted from ...
Paintings by Michelangelo (3 C, 1 P) S. Sculptures by Michelangelo (1 C, 40 P) Pages in category "Works by Michelangelo" The following 2 pages are in this category ...
Casa Buonarroti is a museum in Florence, Italy that is situated on property owned by the sculptor Michelangelo that he left to his nephew, Leonardo Buonarroti. The complex of buildings was converted into a museum dedicated to the artist by his great nephew, Michelangelo Buonarroti the Younger.
Seven Sonnets of Michelangelo is a song cycle composed by Benjamin Britten (1913–76) for tenor voice and piano in 1940, and published as his Op. 22. [1] It was written for himself and his life-partner, the tenor Peter Pears (1910–86). The manuscripts of the songs are dated between April and October 1940; but there is some evidence that the ...
Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...