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Minka (Japanese: 民家, lit. "folk houses") are vernacular houses constructed in any one of several traditional Japanese building styles. In the context of the four divisions of society , Minka were the dwellings of farmers, artisans, and merchants (i.e., the three non- samurai castes ). [ 1 ]
Since the 19th century, however, Japan has incorporated much of Western, modern, and post-modern architecture into construction and design, and is today a leader in cutting-edge architectural design and technology. The earliest Japanese architecture was seen in prehistoric times in simple pit-houses and stores adapted to the needs of a hunter ...
Shoin-zukuri (Japanese: 書院造, 'study room architecture') is a style of Japanese architecture developed in the Muromachi, Azuchi–Momoyama and Edo periods that forms the basis of today's traditional-style Japanese houses.
Its features include an open structure with few walls that can be opened and closed with doors, shitomi and sudare, a structure in which people take off their shoes and enter the house on stilts, sitting or sleeping directly on tatami mats without using chairs or beds, a roof made of laminated hinoki (Japanese cypress) bark instead of ceramic ...
Nagaya (長屋, "longhouse") is a type of Japanese rowhouse that was typical during the Edo period (1603–1868). [ 1 ] Nagaya was a long housing complex under the same ridge, one or two stories high, divided into small compartments for rent.
Machiya façade in Kyoto Old fabric shop in Nara. Machiya (町屋/町家) are traditional wooden townhouses found throughout Japan and typified in the historical capital of Kyoto. Machiya ('townhouses') and nōka ('farm dwellings') constitute the two categories of Japanese vernacular architecture known as minka ('folk dwellings').
Japanese-Western Eclectic Architecture (Japanese: 和洋折衷建築, Hepburn: Wayō Se'chū Kenchiku) is an architectural style that emerged from the Eclecticism in architecture movement of the late 19th and early 20th century, which intentionally incorporated Japanese architectural and Western architectural components into one building design.
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.