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Highest-grossing films of 1980 Rank Title Distributor Domestic gross 1 The Empire Strikes Back: 20th Century Fox: $209,398,025 2 9 to 5: $103,290,500 3 Stir Crazy: Columbia: $101,300,000 4 Airplane! Paramount: $83,453,539 5 Any Which Way You Can: Warner Bros. $70,687,344 6 Private Benjamin: $69,847,348 7 Coal Miner's Daughter: Universal ...
List of Universal Pictures films (1912–1919) List of Universal Pictures films (1920–1929) List of Universal Pictures films (1930–1939) List of Universal Pictures films (1940–1949) List of Universal Pictures films (1950–1959) List of Universal Pictures films (1960–1969) List of Universal Pictures films (1970–1979) List of Universal ...
This is an alphabetical list of film articles (or sections within articles about films). It includes made for television films . See the talk page in A for the method of indexing used.
Some films are not listed here in order to keep this list to a manageable size. These include films that were released before 1930 (see Category:Films by year for pre-1930 films) and works of the United States government. Films released under a free license such as Creative Commons are also excluded.
Industry professionals predicted comedy films and upbeat entertainment to dominate theaters in 1980. This was a response to poor morale in a nation suffering through economic recession, which generally increased theatrical visits as audiences sought escapism and ignored romantic films and depictions of blue-collar life.
List of American films of 1980; List of American films of 1981; List of American films of 1982; ... List of American films of 2020; List of American films of 2021;
Opening Title Production company Cast and crew Ref. J A N U A R Y: 7 Scream: Cal-Com: Byron Quisenberry (director/screenplay); Pepper Martin, Hank Worden, Ethan Wayne, Alvy Moore, Bobby Diamond, Woody Strode, Ann Bronston, Julie Marine, Nancy St. Marie, Joseph Alvarado, John Nowak, Joe Allaine, Cynthia Faria, Bella Bluck, Dee Cooper, Bob Macgonigal, Gino Difirelli, Gregg Palmer
The decade of the 1980s in Western cinema saw the return of studio-driven pictures, coming from the filmmaker-driven New Hollywood era of the 1970s. [1] The period was when the "high concept" picture was established by producer Don Simpson, [2] where films were expected to be easily marketable and understandable.