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In music, metre (British spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm , metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener.
Simple meters are those whose upper number is 2, 3, or 4, sometimes described as duple meter, triple meter, and quadruple meter respectively. In compound meter , the note values specified by the bottom number are grouped into threes, and the upper number is a multiple of 3, such as 6, 9, or 12.
Simple time signatures are usually classified as those with an upper number of 2, 3, or 4. This example shows that each measure is the length of three quarter notes (crotchets). 3 4 is pronounced as "three-four" or "three-quarter time". Compound time signatures In a compound meter, there is an additional rhythmic grouping within each measure.
Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a primary division of 3 beats to the bar, usually indicated by 3 or 9 in the upper figure of the time signature, with 3 4, 3 8 and 9 8 being the most common examples. In these signatures, beats form groups of three, establishing a triple meter feel ...
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable.
Duple metre (or Am. duple meter, also known as duple time) is a musical metre characterized by a primary division of 2 beats to the bar, usually indicated by 2 and multiples or 6 and multiples in the upper figure of the time signature, with 2 2 , 2 4, and 6 8 (at a fast tempo) being the most common examples.
Quintuple meter is also occasionally found in folk music, with perhaps the most well-known example being the Eotmori (엇모리) rhythm (장단) often employed in Sanjo. [17] Quintuple is the oldest surviving traditional Korean meter.
Some of Maurice Ravel's music incorporated septuple meter: for example, the brief "Danse générale" from Part I of Daphnis et Chloé is in 7 4 (subdivided as 3+4), the finale of the Piano Trio freely alternates between 5 4 and 7 4, and the main theme of the finale of his Sonata for Violin and Cello is in "quasi 7 4" (notated as a recurring 2 4 ...