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This symbol was known as the whirling sun in ancient times. [2] Enamel was a Celtic speciality, and reflects the use of red Mediterranean coral inlays in other British Celtic artefacts, such as the Witham Shield, and here may perhaps be considered as an imitation of imported coral, though the use of enamel allows a more elaborate design. Some ...
The symbol is also sometimes used by Wiccans, White Witches, and some New Agers to symbolise the Triple Goddess, or as a protective symbol. [ 7 ] In the 1998–2006 American fantasy drama Charmed , that ran on the now-defunct The WB network, the triquetra was prominently used as a symbol on the Halliwells' Book of Shadows , the book of spells ...
General deities were known by the Celts throughout large regions, and are the gods and goddesses called upon for protection, healing, luck, and honour. The local deities from Celtic nature worship were the spirits of a particular feature of the landscape, such as mountains, trees, or rivers, and thus were generally only known by the locals in ...
More tentatively, links can be made between ancient Celtic deities and figures in early medieval Irish and Welsh literature, although all these works were produced well after Christianization. The locus classicus for the Celtic gods of Gaul is the passage in Julius Caesar 's Commentarii de Bello Gallico ( The Gallic War , 52–51 BC) in which ...
The ancient symbol has been re-introduced in modern flags of Sicily since 1848. The oldest find of a triskeles in Sicily is a vase dated to the late 7th century BCE of which researchers speculated a Minoan-Mycenaean origin (and for which no proof has been given).
Although known only from Roman contexts, the name Epona ('Great Mare') is from the Gaulish language; it is derived from the inferred Proto-Celtic *ekĘ·os 'horse', [5] which gives rise to modern Welsh ebol 'foal', together with the augmentative suffix-on frequently, although not exclusively, found in theonyms (for example Sirona, Matrona) and the usual Gaulish feminine singular -a. [6]
Cernunnos on the Gundestrup cauldron (plate A). He sits cross-legged, wielding a torc in one hand and a ram-horned serpent in the other. Cernunnos is a Celtic stag god. His name is only clearly attested once, on the 1st-century Pillar of the Boatmen from Paris, where it is associated with an image of an aged, antlered figure with torcs around his horns.
[15]: 595 [5]: 914 In a 1982 article, Antonio Tovar cited Lugus as an exemplar of the unity of ancient Celtic culture. Few other Celtic gods could be said to be attested in Gaulish, Insular, and Iberian sources. [15]: 592–593 Early doubts about Lugus were raised by Pierre Flobert (in the 1960s) and Stephanie Boucher (in the 1980s).