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Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century".
The following other wikis use this file: Usage on et.wikipedia.org Maurice Ravel; Usage on eu.wikipedia.org Bolero (Ravel) Usage on fr.wikipedia.org
That is why Ravel's Bolero is the one piece of classical music that is commonly known and liked by them." [28] In a 2011 article for The Cambridge Quarterly, Michael Lanford wrote, "throughout his life, Maurice Ravel was captivated by the act of creation outlined in Edgar Allan Poe's Philosophy of Composition."
"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of ...
"Bolero (Hold Me in Your Arms Again)" is a song by German pop singer Fancy. It was released as a single and is included on his 1986 album Contact . The original music video for the song was produced in Hamburg.
Two of his other albums were awarded Los Premios de Oro y De Platino from the RIAA: Señor Bolero went double Platinum in 2004 for surpassing sales of 120,000 units, and José Feliciano y Amigos went Gold in 2008 after selling 30,000 copies. [1] Feliciano has also enjoyed more than 50 years of hit singles in countries around the world.
Tuyo is a bolero written and composed by Brazilian singer-songwriter Rodrigo Amarante for Narcos ' opening theme. [1] Amarante wrote and vocalized the Spanish-language song, "Tuyo" ("Yours"), as the opening theme for the Netflix Original series Narcos.
"Dos gardenias" is a bolero written in 1945 by Cuban composer and pianist Isolina Carrillo. [2] Widely considered a standard of the Latin music repertoire, the song became a hit for Daniel Santos in 1948, due to his recording with La Sonora Matancera with an arrangement by Pérez Prado.