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"Smooth Operator" is the lead single released from Big Daddy Kane's second album, It's a Big Daddy Thing. Arguably one of Big Daddy Kane's most popular songs, the song topped the newly formed Billboard Hot Rap Singles chart and was a hit on the R&B and dance charts, peaking at number 11 and 17 on the charts respectively.
on YouTube "Smooth Operator" is a song by English band Sade from their debut studio album, Diamond Life (1984), and was co-written by Sade Adu ...
The music video for "Smooth Operator", directed by Julien Temple, was nominated for two MTV Video Music Awards in 1985, Best Female Video and Best New Artist. [38] Diamond Life was voted the 14th best album of the year in the 1985 Pazz & Jop , an annual poll of American critics, published by The Village Voice ; "Smooth Operator" was voted 25th ...
The third single, "Smooth Operator", was released on 15 September 1984 and became the most successful song in the US from the album Diamond Life. The track peaked at number five on the US Billboard Hot 100 and the US Billboard Hot Black Singles , as well as peaking at number one on the US Billboard Adult Contemporary chart . [ 27 ]
Sade Adu was also a member of Pride in the early 1980s, and St. John is perhaps best known for co-writing her song "Smooth Operator". [ 2 ] [ 3 ] After leaving Pride in 1983, St. John continued song-writing and then reformed the band again in 1984 with new songs and new members.
A third single, "Smooth Operator", was released from the album with a video directed by Julien Temple. The single became its first US hit in spring 1985, propelling the album in the US Top Ten. Also in 1985, the band were nominated for two MTV Video Music Awards—"Best Female Video" and "Best New Artist".
Now, 18 years later, the dress reveal has become a staple of the family’s holiday festivities, which Ava, a singer-songwriter in Franklin, Tenn., looks forward to opening all year.
From 1985's jazzy 'Smooth Operator' to tracks from last year's excellent Soldier of Love, it's all state-of-the-art slow-jams all the time, driven by Sade Adu's touch-me-now contralto." [4] Lloyd Bradley of BBC Music commented, "The best thing about this set is it'll allow anybody who didn't quite get the band first time around to catch up."