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Jolly, Penny Howell, "Marked Difference: Earrings and 'The Other' in Fifteenth-Century Flemish Artwork," in Encountering Medieval Textiles and Dress: Objects, Texts, Images, Palgrave Macmillan, 2002, pp. 195–208. ISBN 0-312-29377-1. Mascetti, Daniela and Triossi, Amanda, Earrings: From Antiquity to the Present, Thames and Hudson, 1999.
North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
Jewellery (or jewelry in American English) consists of decorative items worn for personal adornment such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes.
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It protruded from the back of Queen Puabi's head upwards to create a crown-like appearance. Throughout history, the head symbolized a locus of power where objects that indicate a person's status, occupation, or accomplishments lay. [12] The comb and its seven golden flowers add nearly an entire foot to Queen Puabi's height when wearing it. [13]
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Later Viking jewelry also starts to exhibit simplistic geometric patterns. [27] The most intricate Viking work recovered is a set of two bands from the 6th century in Alleberg, Sweden. [26] Barbarian jewelry was very similar to that of the Vikings, having many of the same themes. Geometric and abstract patterns were present in much of barbarian ...