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Popular mainstream studio productions of films with strong Christian messages or Biblical stories, such as Ben-Hur, The Ten Commandments, The Prince of Egypt, The Robe, Sergeant York, The Blind Side, The Book of Eli, [1] Machine Gun Preacher, Risen, Hacksaw Ridge, and Silence, are not specifically part of the Christian film industry, being more agnostic about their audiences' religious beliefs.
In February 2008, the first feature-length documentary/concert film featuring the life and history of the Dixie Hummingbirds was released in commemoration of their extraordinary eighty years as performers. The Dixie Hummingbirds: Eighty Years Young has been shown on the Gospel Music Channel and has played at numerous film festivals.
The Gospel of John: David Batty United Kingdom Canada United States Exodus: Gods and Kings: Ridley Scott: United States United Kingdom Spain The One I Wrote for You: Andrew Lauer: United States 2015 The Gospel of Luke: David Batty United Kingdom Canada United States The Gospel of Mark: David Batty United Kingdom Canada United States Last Days ...
Toronto-based sales agent Syndicado Film Sales has acquired international rights to German director Caroline von der Tann’s Naples-set doc “The Gospel According to Ciretta” ahead of its ...
Pages in category "Christian film festivals" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. 0–9.
The disco legend and gospel performer discusses the meaning of "survival" to her arduous life including tumultuous seven-decade-long recording career. ... for the Nashville Film Festival premiere ...
The genres of the songs performed included soul, gospel, R&B, blues, funk, and jazz. Months after the festival, Stax released a double LP of the concert's highlights, Wattstax: The Living Word. The concert was filmed by David L. Wolper's film crew and was made into the 1973 film titled Wattstax.
Say Amen, Somebody gives an overview of the history of gospel music in the U.S. by following two main figures: Thomas A. Dorsey, considered the "Father of Gospel Music," 83 at the time of filming, recalls how he came to write his most famous song, "Take My Hand, Precious Lord" (1932), and the difficulty he faced introducing gospel blues to black churches in the early 1930s.