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25th Anniversary 1962-1987 is a greatest hits album by Puerto Rican salsa band, El Gran Combo de Puerto Rico. The album became the group's third number-one album on the Billboard Tropical Albums chart. The album was released to commemorate the band's 25th anniversary.
The group met again to define the foundations of a proper orchestra and chose singers Daniel Vázquez, Pellín Rodríguez and Chiquitín García (who later composed among other major EGC hits, "No Hago Más Ná", and many of Gran Combo's hits). On May 21, 1962, El Gran Combo was heard for the first time on Puerto Rican radio.
Y Su Pueblo (And His People) is the 1985 studio album released by Puerto Rican salsa group, El Gran Combo de Puerto Rico.The album became the group's second album to top the Billboard Tropical Albums chart succeeding the group's previous album, Innovations.
Arroz Con Habichuela (Rice with Beans) is the 2006 studio album by El Gran Combo de Puerto Rico.The Spanish title of the album means "rice with beans" in English which is a popular plate both in Puerto Rico and throughout Latin America.
¡Sin Salsa No Hay Paraíso! (2010) is the 63rd album by El Gran Combo de Puerto Rico. [1] The album, on Sony Discos Norte, was shortlisted for Premio Lo Nuestro 2011, 2011 Latin Billboard Music Awards, Grammy Award for Best Traditional Tropical Latin Album but in each case lost out to other artists. The title single "¡Sin Salsa No Hay Paraíso!"
¡Ámame! (Love Me) is the 1989 studio album released by the Puerto Rican salsa band, El Gran Combo de Puerto Rico. The album became the group's fifth number-one album on the Billboard Tropical Albums chart. [1]
Rafael Ithier and other bandmates went on to found Puerto Rico's salsa group, "El Gran Combo". [ 11 ] In 1973 Cortijo happened to meet the pianist working at WKDM radio in New York, Pepe Castillo, who provided ideas for arrangements that Cortijo would use in his final album, His Time Machine y su Máquina del Tiempo.
In June 2017, following the number one peak of "Despacito" in the Hot 100, Philip Bump of The Washington Post related the increasing success of Spanish-language songs in the United States since 2004 with the growth of its Spanish-speaking population, highlighting an improvement from 4.9% in 1980 to 11.5% in 2015. [11]