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The Throne Room was a chamber built for ceremonial purposes during the 15th century BC inside the palatial complex of Knossos, Crete, in Greece. It is found at the heart of the Bronze Age palace of Knossos, one of the main centers of the Minoan civilization and is considered the oldest throne room in Europe. [1] [2]
The Palace at Knossos was organized around an open central court, labeled (1) in this map. The palace at Knossos was continuously renovated and modified throughout its existence. The currently visible palace is an accumulation of features from various periods, alongside modern reconstructions which are often inaccurate.
Like the other palaces, the Palace at Knossos was organized around an open central court, labeled (1) in this map. The defining feature of a Minoan palace is its arrangement of multistory wings around a rectangular central court. Beyond that, the palaces shared a further common architectural vocabulary of room types, ornamentation styles, and ...
Each palace had at least one lustral basin, with Phaistos having four of them. [3] [4] [5] At Knossos, one is adjacent to the throne room, while another is located near the north entrance. [7] Although they are commonly associated with palaces, lustral basins were common in other elite buildings.
An early destruction in the Mycenaean palace at Knossos: a new interpretation of the excavation field-notes of the south-east area of the west wing. Acta archaeologica Lovaniensia, Monographiae, 2. Leuven: Katholieke Universiteit. Gere, Cathy (2009). Knossos and the Prophets of Modernism. Chicago: The University of Chicago Press. ISBN 978 ...
The question of why these paintings appear in the Thutmosid palaces is a perplexing question for archaeologists and Egyptologists. According to Bietak, the use of specific Minoan royal motifs in a palace in Tell el-Dab'a indicates "an encounter on the highest level must have taken place between the courts of Knossos and Egypt."
The book opens with a "pre-credit", which is a series of full-page illustrations showing some drawings and photographs of the palace of Knossos. The first chapter "Terra Incognita" presents Crete, the Greek island as an unknown land at the end of 19th century when Knossos was approached by Evans. The second chapter "Impatience" tells the works ...
On 23 March 1900, the team broke ground at the site of Knossos. Fyfe made a fresco copy of the room of the stone bench. [3] In August, he went back to British School. Later he made a study tour in Bologna, Ferrara and Florence, and a further study tour in Constantinople and Bursa. Fyfe returned to Crete with Evans.