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The twelve masks of the Hahoetal represent the characters needed to perform all the roles in the Hahoe pyolsin-gut. Of the twelve original masks, nine remain and are counted among the national treasures of Korea. Each mask has a unique set of design characteristics to portray the full range needed in the representation of these stock characters.
Korean shamanism, also known as musok (Korean: 무속; Hanja: 巫俗) or Mu-ism (무교; 巫敎; Mugyo), is a religion from Korea. Scholars of religion classify it as a folk religion and sometimes regard it as one facet of a broader Korean vernacular religion distinct from Buddhism , Daoism , and Confucianism .
Cheoyongmu (Korean: 처용무) is a Korean mask dance based on the legend of Cheoyong (처용, 處容), a son of the Dragon King of the Eastern Sea. [1] It is also the oldest surviving Korean court dance created during the Unified Silla period.
Hahoe byeolsingut talnori (Korean: 하회별신굿탈놀이; Hanja: 河回別神굿탈놀이) or "Hahoe special ritual drama to the gods" is a Korean masked dance-drama performed every three, five, or ten years at the request of the village deity in Hahoe, Andong, North Gyeongsang Province.
This rite helps a shaman being promoted to a higher rank of shamanship. This is also an initiation rite, and a shaman holds this gut three times in their life. Jeju: Jejudo Yeongdeunggut: This rite is held in the second month of the lunar calendar. It is held to worship the Yeongdeungsin, the goddess of the sea, who will grant safety and ...
Masks of any type are called tal (Korean: 탈) in Korean, but they are also known by many others names such as gamyeon, gwangdae, chorani, talbak and talbagaji. Korean masks come with black cloth attached to the sides of the mask designed to cover the back of the head and also to simulate black hair.
By the 19th century, the Korean woman's upper garment was 25 centimeters (10 inches) long on average and could not fully cover the breasts. [58] The goddesses' upper garments in the Naewat-dang paintings are about as long as those in 17th-century paintings of Korean women, and are far longer than 18th- or 19th-century equivalents. [59]
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