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Advised by his ministers, Ravana sang hymns in praise of Shiva for a thousand years. Finally, Shiva not only forgave Ravana, but also granted him an invincible sword called the Chandrahasa. Since Ravana cried, he was given the name "Ravana" – one who cried. The verses that Ravana sang were collected and became known as the Shiva Tandava ...
The Shiva Mahimna Stotra (Sanskrit: शिवमहिम्न:स्तोत्र, romanized: śiva-mahimnaḥ stotra, lit. 'Hymn about the greatness of Shiva') is a Sanskrit composition in praise of Shiva. According to tradition, the hymn is believed to have been composed by a gandharva (celestial musician) named Pushpadanta.
Stotra (Sanskrit: स्तोत्र) is a Sanskrit word that means "ode, eulogy or a hymn of praise." [ 1 ] [ 2 ] It is a literary genre of Indian religious texts designed to be melodically sung, in contrast to a shastra which is composed to be recited.
Shri Rudram consists of two chapters (praśna) from the fourth kāṇda (book) of Taittiriya Samhita which is a part of Krishna Yajurveda. [9] The names of the chapters are Namakam (chapter five) and Chamakam (chapter seven) respectively. [10]
bhavābhyām ānanda sphurad-anubhavābhyāṁ natiriyam I make prostration to Shiva and Parvati, who form the embodiment of all arts (fine and practical), whose matted crests are adorned with the crescent moon, who are to each other the mutual rewards obtained by their respective austerities, who bestow on aspirants liberation and other fruits ...
The Dakshinamurti Stotra by Adi Shankara is a laudatory hymn dedicated to this form of Shiva. oṃ maunavyākhyā prakaṭita parabrahmatatvaṃ yuvānaṃ varśiṣṭhānte vasad ṛṣigaṇair āvṛtaṃ brahmaniṣṭhaiḥ ācāryendraṃ karakalita cinmudram ānandamūrtiṃ svātmarāmaṃ muditavadanaṃ dakṣiṇāmūrtimīḍe
Ashtkas (Kalikadi Stotra), 1889–1890 6. Suka-Rambha Samvadam (1893–1894) is an argumentation between Śuka, the sage and Rambha, the danseuse. Suka interprets Ananda, the Supreme Bliss, in terms of Vedantic Truth and Rambha interprets it in terms of erotic experience. 7. Namassivaya Stotram (1914–1915) is a devotional panegyric on Shiva. 8.
The Śiva·sūtras, technically akṣara·samāmnāya, variously called māheśvarāṇi sūtrāṇi, pratyāhāra·sūtrāṇi, varṇa·samāmnāya, etc., refer to a set of fourteen aphorisms devised as an arrangement of the sounds of Sanskrit for the purposes of grammatical exposition as carried out by the grammarian Pāṇini in the Aṣṭādhyāyī.