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While the Big Band Era suggests that big bands flourished for a short period, they have been a part of jazz music since their emergence in the 1920s when white concert bands adopted the rhythms and musical forms of small African-American jazz combos.
Bing Crosby was the best selling pop artist of the 1940s.. Ragtime, a genre that first became popular in the 1890s, was popular through about the 1940s.After its best-known exponent, Scott Joplin, died in 1917, the genre faded.
Toshiko Akiyoshi (born 1929) (Toshiko Akiyoshi – Lew Tabackin Big Band) Ray Anthony (born 1922) Lil Hardin Armstrong (1898-1971) Georgie Auld (1919-1990) (Georgie Auld and His Orchestra, Georgie Auld and His Hollywood All Stars)
This is a partial list of notable active and inactive bands and musicians of the 1950s. Musicians Black Ace ... Big Jay McNeely; Clyde McPhatter; ... at 07:50 (UTC).
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to ...
When the big bands struggled to keep going during World War II, a shift was happening in jazz in favor of smaller groups. Some swing era musicians, like Louis Jordan, later found popularity in a new kind of music, called "rhythm and blues", that would evolve into rock and roll in the 1950s. [1]
In big bands, rhythm sections fused into a unified rhythmic front: supplying the beat and marking the harmonies. Each of the leading bands presented a distinct, well-designed rhythmic attack that complemented its particular style. The rhythm sections of Ellington, Basie, and Lunceford, for example, sounded nothing alike. Just as the soloists ...
An early 1940s style known as "jumping the blues" or jump blues used small combos, uptempo music, and blues chord progressions. Jump blues drew on boogie-woogie from the 1930s. Kansas City Jazz in the 1930s as exemplified by tenor saxophonist Lester Young marked the transition from big bands to the bebop influence of the 1940s.