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Spiritualist art or spirit art or mediumistic art or psychic painting is a form of art, mainly painting, influenced by spiritualism. Spiritualism influenced art, having an influence on artistic consciousness, with spiritual art having a huge impact on what became modernism and therefore art today.
A. H. Almaas (/ ˈ ɑː l m ə s / AHL-məss) is the pen name of A. Hameed Ali (born 1944), an American writer and spiritual teacher who writes about and teaches an approach to spiritual development informed by modern psychology and therapy which he calls the Diamond Approach. "Almaas" is the Arabic word for "diamond". Almaas is originally from ...
To her, art was a way to make contact with God. [2] As her production continued, Houghton's images gained in complexity, exhibiting an increasing number of layers, colors and small details. [ 11 ] In the 19th century, “abstraction” was not yet a concept, hence the bemused tone of the critical reception of the paintings. [ 11 ]
In 1990 Grey published a large format art book, Sacred Mirrors: The Visionary Art of Alex Grey. The book included essays on the significance of Grey's work by Ken Wilber, and by New York art critic, Carlo McCormick. [19] Grey's The Mission of Art, a philosophy of art, [5] originally published in 1998 with a foreword by Ken Wilber was reissued ...
A freehand figure painting is a work of art with the primary subject being the human figures. The kind of figure painting is totally different from the realistic figure painting. The former concentrate more on infectious emotion, connotation and spirits of a figure and artistic conception rather than depict a vivid figure by using fine Brush ...
Kandinsky included many of his theories about abstract art in his book Concerning the Spiritual in Art. Robert Delaunay was a French artist who is associated with Orphism, (reminiscent of a link between pure abstraction and cubism). His later works were more abstract, reminiscent of Paul Klee. His key contributions to abstract painting refer to ...
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The exorcist's function is nominally designated as secret (niṣirtu) in the Exorcist's Manual (1st millennium BCE), about which one reads is the (KAR 44:30-31): "totality of the sources of wisdom, the secrets of the art of incantations, the sources of the planes of heaven and earth, the secrets of the Lalgar and the non-canonical incantations ...