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The song "The Vultures Fly High" was written about the negative treatment Renaissance received from music critics. [3] "Ocean Gypsy" has since been covered by Blackmore's Night. For most of the album's production, the planned title was simply Scheherazade; appending "and Other Stories" was a last minute decision. [3]
According to modern scholarship, the name Scheherazade derives from the Middle Persian name Čehrāzād, which is composed of the words čehr (' lineage ') and āzād (' noble, exalted '). [ 2 ] [ 3 ] [ 4 ] The earliest forms of Scheherazade's name in Arabic sources include Shirazad ( Arabic : شيرازاد , romanized : Šīrāzād ) in al ...
It should only contain pages that are Renaissance (band) albums or lists of Renaissance (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Renaissance (band) albums in general should be placed in relevant topic categories .
Live at Carnegie Hall is a 1976 live double album by the English progressive rock band Renaissance.It presented songs from all of the band's Annie Haslam-era studio albums thus far, including the forthcoming (at the time of the concerts [3]) Scheherazade and Other Stories.
Scheherazade, also commonly Sheherazade (Russian: Шехеразада, romanized: Shekherazada, IPA: [ʂɨxʲɪrɐˈzadə]), Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights (also known as The Arabian Nights).
Only in the Renaissance did individual artists in Western Europe acquire personalities known by their peers (some listed by Vasari in his Lives of the Artists), such as those known by: Their true name or their father's name: Filippino Lippi after his father Fra Filippo Lippi; A chosen pseudonym, possibly linked to his birthplace or his father's ...
Download as PDF; Printable version; In other projects ... Pages in category "Renaissance artists" The following 21 pages are in this category, out of 21 total.
The exoticism of the Arabian Nights continued to interest Ravel. In the early years of the 20th century he met the poet Tristan Klingsor, [6] who had recently published a collection of free-verse poems under the title Shéhérazade, inspired by Rimsky-Korsakov's symphonic suite of the same name, a work that Ravel also much admired. [7]