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For example, a 14-bit ADC can produce 16-bit 48 kHz audio if operated at 16× oversampling, or 768 kHz. Oversampled PCM, therefore, exchanges fewer bits per sample for more samples to obtain the same resolution. Dynamic range can also be enhanced with oversampling at signal reconstruction, absent oversampling at the source.
Rice coding is the optimal bit coding for this type of data, and WavPack's encoder is less efficient, but only by about 0.15 bits per sample (or less than 1% for 16-bit data). However, there are some advantages in exchange.
Sample rate Bit rate Bits per sample Latency CBR VBR Stereo Multichannel G.711: companding A-law or μ-law, PCM: 8 kHz 64 kbit/s 8 bit 125 μs (typical) Yes No No No G.711.0: Lossless compression of G.711: 8 kHz 0.2–65.6 kbit/s 8 bit 5–40 ms No Yes No No G.711.1: MDCT, A-law, μ-law: 8, 16 kHz 64, 80, 96 kbit/s 16 bit 11.875 ms Yes Yes No No
Dual 16-bit, 1.6-GSPS, TxDAC+ D/A Converter Synthesizes High-Quality Wideband Signals from Baseband to High Intermediate Frequencies ADI's AD9142 D/A converter features a proprietary low spurious ...
In the binary formats, PBM uses 1 bit per pixel, PGM uses 8 or 16 bits per pixel, and PPM uses 24 or 48 bits per pixel: 8/16 for red, 8/16 for green, 8/16 for blue. Application support for the 16 bit variants is still rare. PGM and PPM documentation defines that gray and color values use the BT.709 color space and gamma transfer function.
Adobe's DNG SDK provides a software library for encoding and decoding lossless JPEG with up to 16 bits per sample. ISO/IEC Joint Photography Experts Group maintains a reference software implementation which can encode both base JPEG (ISO/IEC 10918-1 and 18477-1) and JPEG XT extensions (ISO/IEC 18477 Parts 2 and 6-9), as well as JPEG-LS (ISO/IEC ...
CD quality audio is sampled at 44,100 Hz (Nyquist frequency = 22.05 kHz) and at 16 bits. Sampling the waveform at higher frequencies and allowing for a greater number of bits per sample allows noise and distortion to be reduced further. DAT can sample audio at up to 48 kHz, while DVD-Audio can be 96
ALAC supports up to 8 channels of audio at 16, 20, 24 and 32 bit depth with a maximum sample rate of 384 kHz. ALAC data is frequently stored within an MP4 container with the filename extension.m4a. This extension is also used by Apple for lossy AAC audio data in an MP4 container (same container, different audio encoding).