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Sociological criticism analyzes both how the social functions in literature and how literature works in society. This form of literary criticism was introduced by Kenneth Burke , a 20th-century literary and critical theorist, whose article "Literature As Equipment for Living" outlines the specification and significance of such a critique.
Conduct books or conduct literature is a genre of books that attempt to educate the reader on social norms and ideals. As a genre, they began in either the High Middle Ages or the Late Middle Ages , although antecedents such as The Maxims of Ptahhotep (c. 2350 BCE) are among the earliest surviving works.
Interest in the relationship between Darwinism and the study of literature began in the nineteenth century, for example, among Italian literary critics. [2] For example, Ugo Angelo Canello argued that literature was the history of the human psyche, and as such, played a part in the struggle for natural selection, while Francesco de Sanctis argued that Emile Zola "brought the concepts of ...
[citation needed] Another early classic writer, Jonathan Swift, penned critical views on current society—his most famous work, Gulliver's Travels (1726), is an example of a novel that is partially social science fiction (with such classic sci-fi elements as pioneering in strange new worlds and experimenting with variations of the human ...
The social novel, also known as the social problem (or social protest) novel, is a "work of fiction in which a prevailing social problem, such as gender, race, or class prejudice, is dramatized through its effect on the characters of a novel". [1]
While Austen steers clear of the formal moralizing common in early-19th-century literature, morality—characterized by manners, duty to society and religious seriousness—is a central theme of her works. Throughout her novels, serious reading is associated with intellectual and moral development.
The sociology of literature is a subfield of the sociology of culture.It studies the social production of literature and its social implications. A notable example is Pierre Bourdieu's 1992 Les Règles de L'Art: Genèse et Structure du Champ Littéraire, translated by Susan Emanuel as Rules of Art: Genesis and Structure of the Literary Field (1996).
The Liberal Imagination: Essays on Literature and Society (1950) is a collection of sixteen essays by American literary critic Lionel Trilling, published by Viking in 1950. The book was edited by Pascal Covici, who had worked with Trilling when he edited and introduced Viking's Portable Matthew Arnold in 1949. [ 1 ]