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Sonnet 18 (also known as "Shall I compare thee to a summer's day") is one of the best-known of the 154 sonnets written by English poet and playwright William Shakespeare.. In the sonnet, the speaker asks whether he should compare the Fair Youth to a summer's day, but notes that he has qualities that surpass a summer's day, which is one of the themes of the poem.
The first 126 are addressed to a young man; the last 28 are either addressed to, or refer to, a woman. (Sonnets 138 and 144 had previously been published in the 1599 miscellany The Passionate Pilgrim.) The title of the quarto, Shake-speare's Sonnets, is consistent with the entry in the Stationers' Register. The title appears in upper case ...
Romeo and Juliet is a dramatization of Brooke's translation, and Shakespeare follows the poem closely but adds detail to several major and minor characters (the Nurse and Mercutio in particular). [23] [24] [25]
Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. [209] By the time of Romeo and Juliet, Richard II, and A Midsummer Night's Dream in the mid-1590s, Shakespeare had begun to write a more natural poetry. He increasingly tuned his metaphors and images to the needs of ...
But even if Romeo & Juliet were the most relatable play in the world, the notion of getting teens and twenty-somethings to pack the house for iambic pentameter feels like an uphill battle. That ...
Original printing of Sonnet 18. In Sonnet 18 the speaker offers an extended metaphor which compares his love to Summer. [6] Shakespeare also makes use of extended metaphors in Romeo and Juliet, most notably in the balcony scene where Romeo offers an extended metaphor comparing Juliet to the sun. It is the east, and Juliet is the sun.
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A rose by any other name would smell as sweet" is a popular adage from William Shakespeare's play Romeo and Juliet, in which Juliet seems to argue that it does not matter that Romeo is from her family's rival house of Montague. The reference is used to state that the names of things do not affect what they really are.