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Sociological Art is an artistic movement and approach to aesthetics that emerged in France in the early 1970s and became the basis for the Sociological Art Collective formed by Hervé Fischer, Fred Forest, and Jean-Paul Thenot in 1974.
Guerrilla art is a street art movement that first emerged in the UK, but has since spread around the world and is now established in most countries that already had developed graffiti scenes. In fact, it owes so much to the early graffiti movement, in the United States guerrilla art is still referred to as 'post-graffiti art'.
In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
Culture jamming (sometimes also guerrilla communication) [1] [2] is a form of protest used by many anti-consumerist social movements [3] to disrupt or subvert media culture and its mainstream cultural institutions, including corporate advertising.
Critical theory analyzes the true significance of the ruling understandings (the dominant ideology) generated in bourgeois society in order to show that the dominant ideology misrepresents how human relations occur in the real world and how capitalism justifies and legitimates the domination of people. According to Frankfurt School, the ...
Marxist aesthetics is a theory of aesthetics based on, or derived from, the theories of Karl Marx.It involves a dialectical and materialist, or dialectical materialist, approach to the application of Marxism to the cultural sphere, specifically areas related to taste such as art, beauty, and so forth.
Visual sociology also requires the development of new forms—for example, data driven computer graphics to represent complex relationships e.g., changing social networks over time, the primitive accumulation of capital, the flow of labor, relations between theory and practice.
Often considered guerilla-art, street art operates free from the confines of the formal art world. [39] In the form of graffiti, stencil, mural, and print, street art appropriates or alters public spaces as a means of protest and social commentary. Important aspects of street art as an alternative form are its blend of aesthetics and social ...