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The series of twelve notes known as the twelve lü were simply a series of fundamental notes from which scales could be constructed." [ 8 ] However, "from the standpoint of tonal music [the chromatic scale] is not an independent scale, but derives from the diatonic scale," [ 2 ] making the Western chromatic scale a gamut of fundamental notes ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition.The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one note [3] through the use of tone rows, orderings of the 12 pitch classes.
In Western music, scale notes are often separated by equally tempered tones or semitones, creating 12 intervals per octave. Each interval separates two tones; the higher tone has an oscillation frequency of a fixed ratio (by a factor equal to the twelfth root of two , or approximately 1.059463) higher than the frequency of the lower one.
Shi'er lü (Chinese: 十二律; pinyin: shí'èr lǜ; lit. '12 pitches'; Mandarin pronunciation: [ʂɻ̩˧˥ aɚ˥˧ ly˥˩]) is a standardized gamut of twelve notes used in ancient Chinese music. [1] It is also known, rather misleadingly, as the Chinese chromatic scale; it was only one kind of chromatic scale used in ancient
Tales and Songs from the Bible of Hell four singers with real-time electronic transformation and pre-recorded 4 track tape (1979) Trois Visages à Liège electronic music (1961) Votre Faust (1960–68), opera for five actors, four singers, twelve instruments, and electronic music, libretto by Michel Butor. Plus related "satellite" works:
The naming of individual Cs using the Helmholtz system. Helmholtz pitch notation is a system for naming musical notes of the Western chromatic scale.Fully described and normalized by the German scientist Hermann von Helmholtz, it uses a combination of upper and lower case letters (A to G), [a] and the sub- and super-prime symbols ( ͵ ′ or ⸜ ⸝) to denote each individual note of the scale.
Because of that, all notes with these kinds of relations can be grouped under the same pitch class and are often given the same name. The top note of a musical scale is the bottom note's second harmonic and has double the bottom note's frequency. Because both notes belong to the same pitch class, they are often called by the same name.