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The Letter of Introduction, 1813, represents David Wilkie's own unfortunate experience of presenting such a letter to a prospective patron. [1]The letter of introduction, along with the visiting card, was an important part of polite social interaction in the 18th and 19th centuries.
Letters, especially those with a signature and/or on an organization's own notepaper, are more difficult to falsify than is an email, and thus provide much better evidence of the contents of the communication. A letter in the sender's own handwriting is more personal than an e-mail and shows that the sender has taken the effort to write it.
Cover letters are typically categorized according to two purposes: applying for a specific, advertised opening ('letter of application') expressing interest in an organization when the job seeker is uncertain whether there are current openings ('letter of inquiry'). [3] According to studies, a good cover letter should: be specific and up-to-date,
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Before becoming a book, Dear Ijeawele was a personal e-mail written by Adichie in response to her friend, "Ijeawele", [5] who had asked Adichie's advice on how to raise her daughter as a feminist. [6] The result of this e-mail correspondence is the extended, [1] 62-page [7] Dear Ijeawele manifesto, written in the form of a letter. [5]
Similarly, Beatrix Potter, an author/illustrator, often included pictures in her letters as a means of comfort and relief from the pressures she faced from her family. [13] Children were taught the art of letter-writing, as well; they were particularly taught to form letters neatly with instructive books filled with drawing and line instruction ...
Letters Written in Sweden, Norway, and Denmark was republished at the end of the nineteenth century and Robert Louis Stevenson, the author of Treasure Island, took a copy on his trip to Samoa in 1890. [71] Letters Written in Sweden, Norway, and Denmark was a powerful influence on Wollstonecraft's daughter, Mary Shelley.
The organization of the letters is largely chronological, but specific sections are dedicated to Rand's correspondence with Frank Lloyd Wright, Isabel Paterson and John Hospers. An appendix provides a form letter that Rand sent to many fans of The Fountainhead who had written her. Rand's heir, Leonard Peikoff, provides an introduction.