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Narrative exposition, now often simply exposition, is the insertion of background information within a story or narrative.This information can be about the setting, characters' backstories, prior plot events, historical context, etc. [1] In literature, exposition appears in the form of expository writing embedded within the narrative.
The second form exists as the cultural and historical background in which the narrative resides. Past events that have impacted the cultural background of characters or locations are significant in this way. The third form of a setting is a public or private place that has been created/maintained and/or resided in by people.
A backstory, background story, background, or legend is a set of events invented for a plot, preceding and leading up to that plot. In acting, it is the history of the character before the drama begins, and is created during the actor's preparation. [1] [2] These terms are also used in espionage.
The tone of a piece of literature is the speaker's or narrator's attitude towards the subject, rather than what the reader feels, as in mood. Mood is the general feeling or atmosphere that a piece of writing creates within the reader. Mood is produced most effectively through the use of setting, theme, voice and tone.
The history of literature is the historical development of writings in prose or poetry that attempt to provide entertainment or education to the reader, as well as the development of the literary techniques used in the communication of these pieces.
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, plays, and poems. [1] It includes both print and digital writing. [2] In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed.
Samuel Johnson's Lives of the Poets (1779–81) was possibly the first thorough-going exercise in biographical criticism. [1]Biographical criticism is a form of literary criticism which analyzes a writer's biography to show the relationship between the author's life and their literary works. [2]
It is "the 'throwing into relief' of the linguistic sign against the background of the norms of ordinary language." [ 2 ] There are two main types of foregrounding: parallelism and deviation. Parallelism can be described as unexpected regularity, while deviation can be seen as unexpected irregularity. [ 3 ]