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The Madonna of Bruges is a marble sculpture by Michelangelo of the Virgin and Child. Michelangelo's depiction of the Madonna and Child differs significantly from earlier representations of the same subject, which tended to feature a pious Virgin smiling down on an infant held in her arms. Instead, Jesus stands upright, almost unsupported, only ...
The Church of Our Lady (Dutch: Onze-Lieve-Vrouwekerk) is a Roman Catholic church in Bruges, Belgium, dating mainly from the 13th, 14th and 15th centuries.Its 115.6-metre-high (379 ft) tower remains the tallest structure in the city and the third tallest brickwork tower in the world (after St. Mary's Church in Lübeck and St. Martin's Church in Landshut, both in Germany).
The Virgin and Child with Canon van der Paele, 1434–1436.Oil on wood, 141 x 176.5 cm (including frame), 122 x 157 cm (excluding frame). Groeningemuseum, Bruges.. The Virgin and Child with Canon van der Paele is a large oil-on-oak panel painting completed around 1434–1436 by the Early Netherlandish painter Jan van Eyck.
The sculpture Madonna and Child, which can be seen in the transept, is believed to be the only of Michelangelo's sculptures to have left Italy within his lifetime. Bruges' best-known landmark is the Belfry of Bruges, a 13th-century belfry housing a municipal carillon comprising 47 bells. [37]
Madonna and Child with a Member of the Hillensberger Family. On stylistic grounds Didier Martens attributed the works to an anonymous painter believed to have been active in Bruges during the first half of the 16th century. All of the works contain female figures which are characterised by their rounded, full faces.
Madonna of Bruges This page was last edited on 22 March 2018, at 18:25 (UTC). Text is available under the Creative Commons Attribution ...
The Virgin and Child between Angels, painting by this master showing a cityscape of Bruges, collection Museo Thyssen-Bornemisza. Master of the André Virgin or Master of the André Madonna (1500 – ?) was a Southern-Netherlandish painter active in Bruges. Little is known of his/her life.
The Master of the Embroidered Foliage (active c. 1480 – c. 1510) is the Notname for an Early Netherlandish painter or a group of painters who worked out of Bruges and Brussels. In 1926 the German art historian Max Jakob Friedländer attributed a group of paintings of the Virgin and Child in a landscape, in identical poses to the "Master of ...