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Basso continuo. Basso continuos parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the continuo group. A harpsichordist and a bassist play ...
Realization (figured bass) Philip Mercier (1689-1760), A Music Party. A viol player looks past the harpsichordist's shoulder to see the figured bass line. 18th century amateurs routinely realized accompaniments from figured bass. Realization is the art of creating music, typically an accompaniment, from a figured bass, whether by improvisation ...
In the 20th and 21st century, figured bass is also sometimes used by classical musicians as a shorthand way of indicating chords when a composer is sketching out ideas for a new piece or when a music student is analyzing the harmony of a notated piece of music (e.g., a Bach chorale or a Chopin piano prelude). Figured bass is not generally used ...
The BACH motif. "b–a–c–h is beginning and end of all music" (Max Reger 1912) In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, B flat, A, C, B natural. In German musical nomenclature, in which the note B natural is named H and the B flat named B, it forms Johann Sebastian Bach 's family name.
The Goldberg Variations (German: Goldberg-Variationen), BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, it is named after Johann Gottlieb Goldberg, who may also have been the first performer of the work.
viola. SATB. solo continuo. Johann Sebastian Bach composed the church cantata Was Gott tut, das ist wohlgetan (What God does is well done), [1] BWV 99, in Leipzig for the 15th Sunday after Trinity and first performed it on 17 September 1724. The chorale cantata is based on the hymn "Was Gott tut, das ist wohlgetan" by Samuel Rodigast (1674).
See media help. According to the Bach Digital website, the time of origin of Johann Sebastian Bach 's Prelude in C minor, BWV 999, is unknown. [2] Based on Thomas Kohlhase [de], the 1998 edition of the Bach-Werke-Verzeichnis indicates that the piece likely originated in Bach's Köthen period, that is, between 1717 and 1723. [3]
continuo. Ach wie flüchtig, ach wie nichtig (Ah, how fleeting, ah how insignificant), [1] BWV 26, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the 24th Sunday after Trinity and first performed it on 19 November 1724. The cantata is based upon the hymn "Ach wie flüchtig, ach wie nichtig", versed ...