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North American greaser of Quebec, Canada, c. 1960. Greasers are a youth subculture that emerged in the 1950s and early 1960s from predominantly working class and lower-class teenagers and young adults in the United States and Canada. The subculture remained prominent into the mid-1960s and was particularly embraced by certain ethnic groups in ...
During the 1950s, the wealthy and clean cut Squares, Rahs and Socs (Soc being short for social) with their Ivy League clothes were the rivals to the working class Greaser subculture. [13] The conflict between the two groups features in Grease, The Outsiders, [14] Indiana Jones and the Kingdom of the Crystal Skull, and Cry-Baby. [15]
All these served to popularize leather jackets among American youth from the "greaser subculture" of the 1950s and early 1960s. Later depictions of this subculture feature via The Fonz from the television series Happy Days , produced in the 1970s and 1980s, but set in the 1950s and 1960s (Fonzie's leather jacket is now housed in the Smithsonian ...
They became popular symbols of teenage rebellion in the 1950s and a common component of greaser wear. They were later adopted by skinheads and punks in the 1970s. By the 2010s, engineer boots were being popularly worn for fashion purposes, especially by non-traditional customers such as women, young urban professionals, and hipsters.
They are a youth subculture that emerged in the 1950s and early 1960s from predominantly working class and lower-class teenagers and young adults in the United States and Canada. The subculture remained prominent into the mid-1960s and was particularly embraced by certain ethnic groups in urban areas, particularly Italian Americans, Hispanic ...
Raggare is a subculture found mostly in Sweden and parts of Norway [1][2] and Finland, [3] and to a lesser extent in Denmark, Germany, and Austria. [citation needed] Raggare are related to the American greaser and rockabilly subcultures and are known for their love of hot rod cars and 1950s American pop culture.
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Originally designed for miners, modern jeans were popularized as casual wear by Marlon Brando and James Dean in their 1950s films, particularly The Wild One and Rebel Without a Cause, [3] leading to the fabric becoming a symbol of rebellion among teenagers, especially members of the greaser subculture. From the 1960s onwards, jeans became ...