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The masks were the most striking feature of the costume worn by the Athenian actors. Facial expression was lost anyway due to the huge size of the Greek theatres, but the masks were also a means of blotting out expression, so visual meaning was expressed by the entire body. The actors were seen as silhouettes, or integral bodies, rather than faces.
The mask-makers were called skeuopoios or "maker of the props", thus suggesting that their role encompassed multiple duties and tasks. The masks were most likely made out of light weight, organic materials like stiffened linen, leather, wood, or cork, with the wig consisting of human or animal hair. [22]
The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts. Originating in the theatre of ancient Greece, the masks were said to help audience members far from the stage to understand what emotions the characters were feeling. [1]
A himation (/ h ɪ ˈ m æ t i ˌ ɒ n / hə-MAT-ee-un, [1] Ancient Greek: ἱμάτιον) was a type of clothing, a mantle or wrap worn by ancient Greek men and women from the Archaic period through the Hellenistic period (c. 750–30 BC). [2] It was usually worn over a chiton and/or peplos, but was made of heavier drape and played the role ...
Clothes were quite simple, draped, loose-fitting and free-flowing. [4] Customarily, clothing was homemade and cut to various lengths of rectangular linen or wool fabric with minimal cutting or sewing, and secured with ornamental clasps or pins, and a belt, or girdle (ζώνη: zōnē).
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In some Greek masks, the wide and open mouth of the mask contained a brass megaphone enabling the voice of the wearer to be projected into the large auditoria. In medieval Europe, masks were used in mystery and miracle plays to portray allegorical creatures, and the performer representing God frequently wore a gold or gilt mask.