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Berklee Online began as Berkleemusic, and was referred to as such until 2011. Berklee's first online course went live in April 2002 with Music Theory 101, created by Paul Schmeling, Chair Emeritus of the Piano Department of Berklee College of Music. [10] Berklee Online started by offering courses and certificates. [11]
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
ArtistWorks, LLC is an online music learning education platform based out of Napa, CA.ArtistWorks was founded by David and Patricia Butler in 2008. [1] The company developed a proprietary patented system for interacting with teachers based upon online Video Exchange Learning [2] which students use to upload videos of themselves playing and ArtistWorks instructors respond with video feedback ...
Accompaniment acceptable in the Berklee method [2] but not in common practice theory. Play ⓘ Branford Marsalis notes how Berklee music theory may be an inadequate description of traditional jazz as well having a tendency toward prescriptivism: "Berklee has its own system of doing things, the Berklee way, the Berklee method. They basically say ...
Some of the material covered in the course involves low sight reading, in-depth terminology, musical phrasing and musical composition, music history, chord structure, cadences, musical texture, and other areas of music theory. In addition, part-writing is an integral part of the course, as it takes up half of the 8 units covered. This course is ...
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
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