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In motion picture formats, the physical size of the film area between the sprocket perforations determines the image's size. The universal standard (established by William Dickson and Thomas Edison in 1892) is a frame that is four perforations high. The film itself is 35 mm wide (1.38 in), but the area between the perforations is 24.89 mm × 18 ...
An even field has pixel information for lines 2, 4, 6...1080. When video is sent in interlaced-scan format, each frame is sent in two fields, the field of odd-numbered lines followed by the field of even-numbered lines. A frame used as a reference for predicting other frames is called a reference frame.
The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.
4096 × 2160 (full frame, 256∶135 or ≈1.90∶1 aspect ratio) 3996 × 2160 (flat crop, 1.85∶1 aspect ratio) 4096 × 1716 (CinemaScope crop, ≈2.39∶1 aspect ratio) 2K distributions can have a frame rate of either 24 or 48 FPS, while 4K distributions must have a frame rate of 24 FPS.
CIF defines a video sequence with a resolution of 352 × 288, which has a simple relationship to the PAL picture size, but with a frame rate of 30000/1001 (roughly 29.97) frames per second like NTSC, with color encoded using a YCbCr representation with 4:2:0 color sampling. It was designed as a compromise between PAL and NTSC schemes, since it ...
C The MaxDpbSize, maximum number of pictures in the decoded picture buffer, for the maximum luma picture size of that level is 6 for all levels. [1] [2] The MaxDpbSize can increase to a maximum of 16 frames, if the luma picture size of the video is smaller than the maximum luma picture size of that level, in incremental steps of 4/3×, 2×, or 4×.
In more modern macroblock-based video coding standards such as H.263 and H.264/AVC, transform blocks can be of sizes other than 8×8 samples. For instance, in H.264/AVC main profile, the transform block size is 4×4. [4] In H.264/AVC High profile, the transform block size can be either 4×4 or 8×8, adapted on a per-macroblock basis. [4]
Many digital video cameras have the capability to record in 16:9, and this is the only widescreen aspect ratio natively supported by Blu-ray Disc. It is also the native aspect ratio of the Blu-ray Disc, but Blu-ray Disc producers can also choose to show even a wider ratio such as 2.40:1 within the 16:9 frame adding Letterbox black bars within ...