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Touch Me in the Morning: Expanded Edition, released in January 2010, includes a newly remastered version of the original album plus previously unreleased mixes and alternate versions as well as two songs recorded during the same timeline: "Kewpie Doll", written and co-produced by Smokey Robinson, and "When We Grow Up", from Marlo Thomas' 1972 album Free to Be...You and Me.
After many attempts, Mio accidentally headbutts YĆ«ko, who retaliates by headbutting Mio and somehow pushing her over the bar. During a downpour, Nano arrives home, only to find Hakase wearing a raincoat next to the clothes line full of wet laundry, which has been knocked to the ground. As Nano picks up the wet laundry, Hakase instantly puts ...
The song's composer Dave Loggins had recorded "Pieces of April" for his 1972 debut album Personal Belongings from which it was single-released in January 1973. That was the same month the Three Dog Night version reached the Top 20, with Loggins' single release evidently being an attempt to generate a C&W hit.
Izitso is the tenth studio album by the British singer-songwriter Cat Stevens, released in April 1977.After the lacklustre Numbers, the album proved to be his comeback.The album updated the rhythmic folk rock and pop rock style of his earlier albums with the extensive use of synthesizers [2] and other electronic music instruments, giving the album a more electronic rock and synthpop style, and ...
"Morning of My Life" (originally known as "In the Morning") is a song written by Barry Gibb in 1965 [1] whilst in the town of Wagga Wagga, Australia [2] and later recorded by the Bee Gees and several other artists.
"Touch Me in the Morning" is a song recorded by Diana Ross on the Motown label. It was written by Ron Miller and Michael Masser, and produced by the latter and Tom Baird. It was released on May 3, 1973 as the first single from her album of the same name. In 1973, it became Ross's second solo No. 1 single on the Billboard Hot 100.
"Words" is a song written by Tommy Boyce and Bobby Hart and released by the Monkees. An early version by the Leaves appeared on their 1966 album Hey Joe . [ 2 ] The Monkees first recorded the song for their second album, More of The Monkees , in August 1966 under the supervision of Boyce and Hart.
Ann has said she was inspired when she looked out a window and saw a dog relentlessly chasing a butterfly. She saw the song as an inspiration when things get tough to "keep going after it." [2] Cash Box called it a "gentle acoustic ballad which rides a melodic verse and acoustic guitar and easy beat backing."