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Much of the history of the baguette is speculation; [7]: 35 however, some facts can be established. Long, stick-like breads in France became more popular during the 18th century, [7]: 5 French bakers started using "gruau," a highly refined Hungarian high-milled flour in the early 19th century, [7]: 13 Viennese steam oven baking was introduced to Paris in 1839 by August Zang, [7]: 12 and the ...
Shakespeare introduced or invented countless words in his plays, with estimates of the number in the several thousands. Warren King clarifies by saying that, "In all of his work – the plays, the sonnets and the narrative poems – Shakespeare uses 17,677 words: Of those, 1,700 were first used by Shakespeare."
To give one example of this, in the early published versions of Shakespeare's plays there is a recurrence of an upper case letter "C" when the lower case is called for. This might indicate that Shakespeare was fond of such a usage in his handwriting, and that the compositors (working from the handwriting) followed the usage.
Coles published a series of Canadian study guides called Coles Notes, and sold Hillegass the U.S. rights to the guides. [3] Hillegass and his wife, Catherine, started the business in their basement at 511 Eastridge Drive in Lincoln, with sixteen William Shakespeare titles. In August 1958, they shipped their first batch of notes and by the end ...
As one biographer of the Queen notes, it was a particularly powerful phrase because "the staple food of the French peasantry and the working class was bread, absorbing 50 percent of their income, as opposed to 5 percent on fuel; the whole topic of bread was therefore the result of obsessional national interest."
Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. [6] By the time of Romeo and Juliet , Richard II , and A Midsummer Night's Dream in the mid-1590s, Shakespeare had begun to write a more natural poetry.
English ladies were often taught an "Italian hand", suitable for the occasional writing that they were expected to do. [4] Grace Ioppolo notes [ 2 ] that the convention in writing the texts of dramas was to write act and scene settings, characters' names and stage directions in italic, and the dialogue in secretary hand.
His interactions were based only on his viewing Laura; his love for her was purely invented. Shakespeare on the other hand shared a reciprocal love with both his lovers; the objects of his love were “articulate, active partners.” [20] Shakespeare's sonnets are divided between his two lovers: sonnets 1–126 for a male, and sonnets 127–152 ...