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Mehndi. Mehndi (pronunciation ⓘ) is a form of temporary skin decoration using a paste created with henna. In the West, mehndi is commonly known as henna tattoo, although it is not a permanent tattoo. [1] Mehndi is a popular form of body art in South Asia and resembles similar traditions of henna as body art found in North Africa, East Africa ...
Yantra tattooing. Yantra tattooing or Sak Yant is a form of tattooing using Indian yantra designs. It consists of sacred geometrical, animal and deity designs accompanied by Pali phrases that are said to offer power, protection, fortune, charisma and other benefits for the bearer.
When Devanāgarī is used for writing languages other than Sanskrit, conjuncts are used mostly with Sanskrit words and loan words. Native words typically use the basic consonant and native speakers know to suppress the vowel when it is conventional to do so. For example, the native Hindi word karnā is written करना (ka-ra-nā). [60]
Hinduism. Over the millennia of its development, Hinduism has adopted several iconic symbols, forming part of Hindu iconography, that are imbued with spiritual meaning based on either the scriptures or cultural traditions. The exact significance accorded to any of the icons varies with region, period and denomination of the followers.
In Hinduism, a basic mandala, also called a yantra, takes the form of a square with four gates containing a circle with a center point. Each gate is in the general shape of a T. [3] Mandalas often have radial balance. [4] A yantra is similar to a mandala, usually smaller and using a more limited colour palette.
Ganga-Jamuni tehzeeb, is a poetic Awadhi phrase for the distinctive and syncretic Hindu-Muslim culture, is reflected in the fused spiritual connotations, forms, symbols, aesthetics, crafts and weaves, for example, Kashmiri Muslim carpet makers feature Durga in their patterns, Muslim sculptors making idols of Durga, and Hindu craftsmen create ...
Tilaka. In Hinduism, the tilaka (Sanskrit: तिलक), colloquially known as a tika, is a mark worn usually on the forehead, at the point of the ajna chakra (third eye or spiritual eye) and sometimes other parts of the body such as the neck, hand, chest, or the arm. [1] The tilaka may be worn daily for decorative purposes, as a symbol for ...
In 1984, Satish Anand had evolved a new ' Bidesia Style ' for modern Indian theatre. [12] The new style used elements of traditional folk theatre from indigenous Bihari culture. [13] Some other traditional Bihari forms of theatre include those centred around Raja Salhesh, and the festival of Sama Chakeva originating from the Mithila region of ...