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Gwion Gwion (Tassel) figures wearing ornate costumes. The Gwion Gwion rock paintings, Gwion figures, Kiro Kiro or Kujon (also known as the Bradshaw rock paintings, Bradshaw rock art, Bradshaw figures and the Bradshaws) are one of the two major regional traditions of rock art found in the north-west Kimberley region of Western Australia.
The oldest reliably dated unambiguous, in-situ rock art motif in Australia is a large painting of a macropod from a rock shelter in Western Australia's Kimberley region, radiometrically dated in a February 2021 study at approximately 17,300 years old. [10]
Numerous Indigenous Australians are noted for their participation in, and contributions to, the Visual arts of Australia and abroad. Contemporary Indigenous Australian art is a national movement of international significance with work by Indigenous artists, including paintings by those from the Western Desert, achieving widespread critical acclaim.
Australian art is a broad spectrum of art created in or about Australia, or by Australians overseas, spanning from prehistoric times to the present day. The art forms include, but are not limited to, Aboriginal , Colonial, Landscape , Atelier , and Contemporary art .
There have been some experimental uses of carbon paper in art: as a surface for painting and mail art (to decorate envelopes). Carbon paper is commonly used to transfer patterns onto glass in the creation of stained glass. [7] Carbon paper disks are still used in school physics labs as part of experiments on projectile motion and position. [8]
Quinkan rock art refers to a large body of locally, nationally and internationally significant Aboriginal rock art in Australia of a style characterised by their unique representations of "Quinkans" (an Aboriginal mythological being, often spelt "Quinkin"), found among the sandstone escarpments around the small town of Laura, Queensland (aka Quinkan region or Quinkan country). [1]