Ads
related to: cat people 1982 movie
Search results
Results From The WOW.Com Content Network
Cat People is a 1982 American supernatural horror film directed by Paul Schrader and starring Nastassja Kinski, Malcolm McDowell, John Heard, and Annette O'Toole. It is a remake of the 1942 RKO Radio Pictures film of the same name .
The Last Horror Film: David Winters: Caroline Munro, Joe Spinell, Judd Hamilton: United States [39] The Living Dead Girl: Jean Rollin: Marina Pierro, Françoise Blanchard, Carina Barone France [40] Madman: Joe Giannone: Gaylen Ross: United States [41] Manhattan Baby: Lucio Fulci: Christopher Connelly: Italy [42] Midnight: John A. Russo
"Cat People (Putting Out Fire)" is a song recorded by the English singer-songwriter David Bowie as the title track of the 1982 erotic horror film Cat People. Bowie became involved with the track after director Paul Schrader reached out to him about collaborating. The song was recorded at Mountain Studios in Montreux, Switzerland in July 1981.
Troubled men crop up in most of his films: the glossy sex work thriller American Gigolo (1980), the erotic horror Cat People (1982) and the neo-noir Affliction (1997).
That year, she was also in the erotic supernatural horror movie Cat People. On 29 December 1982, Kinski made a puzzling appearance on the program Late Night with David Letterman, seeming somewhat oblivious to the jokes and everything else that was going on around her and appearing with an unusual hair style Letterman described as "looking like ...
Here's everything you need to know about it. For premium support please call: 800-290-4726 more ways to reach us
The film was followed by a sequel, The Curse of the Cat People, in 1944, and a remake, directed by Paul Schrader, was released in 1982. The film has become well known, though created as a B-movie , being selected by Library of Congress for preservation in the National Film Registry in 1993.
In interviews with Cosmo, the film's director, Susanna Fogel, and original story writer, Kristen Roupenian, weigh in on whether Robert actually redeems himself by the time the credits roll.